Blues Music History

Blues is most likely the strangest American music ever created – and combined with its own jazz counterpart – is that the only real American music form. Its origins lie in the work songs of African American Americans from the South. If they toiled hard in the fields of South farm owners, those slaves assembled a ‘call and response’ way of singing, thereby committing rhythm into the drudgery of their lives. All these are called ‘area hollers’ and became the cornerstone of blues songs to follow. Following the Civil War ended, the elephants could function as field labour or act as traveling minstrels. So several become the latter – performing all-nighters, fish-frys and juke joints, relying upon their endurance and mental repertoire of several blues tunes.


Strong Blues Music Is Officially Born
Though the lyrics of blues tunes seem soulful and sad, the music itself is very effective and emotive – filled with rhythm and observing the life span of black Americans. Why this type of music is attractive is its manifestation of their everyday lives, discussing sex, drinking, poverty, and love lost, challenging labour – whatever they experienced.

One of the very first documented blues is W C Handy’s “Memphis Blues” in 1909. The songs grew in fame and if the 78-RPM phonograph arrived from the late 1920’s Paramount, Aristocrat and other record labels listed a number of the renowned country blues artists. Approximately 1941-1943, field records of blues men were produced in their environment by renowned blues folklorist Alan Lomax. This is important because that is the way the white people got introduced into the bluesrevue. Budding artists got vulnerability to a federal record labels.

Blues Travels North
The blacks migrated North through the Great Depression along the course of the Illinois Central Railroad toward Chicago, bringing together blues songs. With enormous crowds gathering to appreciate this, performers like Muddy Waters and Howlin’ Wolf switched to electric guitars and contained drum sets to their bands. This became much more powerful than the first blues. There was a lull before the late 1950’s when The Kingston Trio captured the chart topper, Tom Dooley, and gave birth to the folk revival in 1958. The Newport Folk Festival subsequently brought back folk and blues songs into the snowy American people until 1966.

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